Online workshop at the AdBK Nürnberg, 28 & 29 April, 2020. With Jan St. Werner’s group at the DAF. More Details coming soon.
Online, obviously. Frames of Reference, Coexistence and Planetary Dimensionality, a seminar over two-days, April 22 & 23, 2020. For those enrolled in the PhD program.
Participation for the series at HAU, Berlin on 29 March, 2020. Event cancelled.
At the Royal Academy of Arts, The Hague, Department of Non-Linear Narrative | 23 March – 26 March, 2020. Postponed until next year.
Diagrammatic lecture at Ausland, Berlin 14 March, 2020. Event as livestream in an act of social distancing. With Patricia Reed, Jan St. Werner, Pita, Dean Roberts.
Japanese translation (PDF) of “Freedom and Fiction,” from Glass Bead, Site 02. Thanks for Okayama Art Summit for the translation!
ОРИЕНТИРОВАНИЕ В БОЛЬШОМ МИРЕ: О НЕОБХОДИМОСТИ БЕЗГОРИЗОНТНЫХ ПЕРСПЕКТИВ, Russian translation of “Orientation in a Big World: On the Necessity of Horizonless Perspectives,” out now (print) in Moscow Art Magazine, #109.
On Planetary Localisation: Respatialising the Site, 5 February 2020, London, UK. Details here.
On Non-Adaptive Aesthetics, January 16, 2020 – 19:30-21:00, at Garage Moscow. Event is free after registration here.
The non-conformance of human experience with conditions of the current world capture a turbulent incompatibility of our moment: the condition... More
Die Frage, was es bedeutet, ein Mensch zu sein, was Menschlichkeit heute bedeutet, stellt sich wieder als Folge des Anthropozäns... More
The punny call to ‘seize the memes of production’ (a meme in its own right) would entail a gargantuan, though... More
It is not enough to rearrange the furniture in this current historical discursive home; freedom from this given domestic situation... More
Essai traduit de l’anglais par Noémie Grunenwald Notre monde est pris de vertige. Dans nos vies quotidiennes, un entrelacs d’abstraction, de... More
There are those who champion, or who actively seek to amplify, the navigational turbulence produced by this decentered human position... More
우리의 세계는 현기증 속에 놓여 있다. 우리의 일상에 추상성, 가상성, 복합성을 엮어내는 이 세계는 기술적인 매개로 가득하다. 제노페미니즘(이하 ‘XF’)은 이러한... More
This paper looks at the relation between scientific knowledge and normative pragmatics from the point of view of (mutable) cosmological... More
Although Capitalist Realism is the mode of capture, training and moulding our lives, as the polymath Sylvia Wynter has written,... More
Despite the long-standing ambitions to conceive of humanity from an expansive proportion, the scale of the shared crises we face... More
A City Curating Reader: Public Art Munich 2018 Eds.: Joanna Warsza and Patricia Reed What is public in public art?... More
Making & Breaking is an online journal published by the Autonomy research chair of Avans University’s Centre of Applied Research for... More
Sat, Dec 2, 2017, 3pm at Haus der Kulturen der Welt, Berlin In the frame of Technosphere (2015-19) at Haus... More
For The Future of Demonstration: Vermoegen, a performance and broadcast event on 2 Nov. 2017 in Vienna (Reaktor Studio) –... More
Seminar and Public Forum co-organised with Antonia Majaca and Mohamad Salemy. Seminar on July 16. 2015 (10:00-21:00) at the University... More
Online Class co-taught with Diann Bauer with The New Centre for Research and Practice, May 25-June23, 2015. GUEST(S): Amanda Beech,... More
2013 Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and...
2011 Designed for The Labour Of The Multitude? The Political Economy Of Social Creativity Conference at the Warsaw Free/Slow University A poster announces a series of questions, making present the position of listening and inquiry as an invited member of the audience. Engagements to these questions shall proceed through a polyphonous text (forthcoming), based on the series of speeches and debates that play out in the conference, documenting the position of active listening / apprehension, without speaking.
2009 Edition of 250 custom gold-plated pins, Contract (3 X A4 white frames) In response to a invitation for an exhibition dedicated to collectors where no financial exchange was possible, a contract was created (a modified version of Seth Siegelaubs' 1971 contract "The artist's reserved rights transfer and sale agreement"), wherein all financial exchange agreements were replaced with those pertaining to pure belief in the current and future works of the artist. An edition of 250 gold-plated pins were created as a take-away item for potential 'collectors', denoting their virtual agreement with the terms of the contract. The work directly addresses the currency of the artist-personality which is implied in any sale of work, but is never explicitly drawn up within the legal framework.
In response the the Storefront Architecture and Art competition to redesign the White House, I opted to look at the... More