Opening of the exhibition at the Staatliche Kunsthalle Baden-Baden, co-curated with Egemen Demirci, the culmination of a year-long series of discussions with art students from 6 classes throughout Germany. Opening on Dec. 4, 2021 running til’ January 16, 2022, including a day-long performance program for the opening.
Presenting as a duo with AA Cavia on “Pointless Topology: Figuring Nondoxastic Space in Computation and Cognition” for the online conference hosted by Schaufler Kolleg@TUD, Dec. 1-3, 2021. Our panel on Topologies of Computation with Lukáš Likavčan is on Dec. 3, 16:30-17:15.
For participants of the study program at Casa do Povo (São Paulo, BR), I’ll be delivering a lecture and diagrammatic workshop on envisioning planetary entanglement (a perspectival question). Nov. 27 and Dec. 5, 2021 | 11am to 1pm BRT.
A lecture stemming from The Valuation of Necessity essay, and a screening of Incommensurate States held at Lothringer 13 in conjunction with “Dissolving Matter and Value”, Munich, DE, on 18 November at 19:30.
New video/audio lecture entitled “Listening to Unencoded Worlds” made in collaboration with J.-P. Caron, debuting at The Sound of Distance festival at HKW, Berlin. 21 Oct – 24 Oct, 2021.
Public Talk and reading group session, 5 September, 2021. 17:00 Reading session (Marx’s Ecosocialism by Kohei Saito); 19:00 Lecture “On Exhaustion and Metabolic Rifts). In Berlin for Climate Care: The Rewilding Years, Berlin.
Portuguese translation of “The End of a World and its Pedagogies,” by Filipe Felizardo. Link
Presentation and discussion with the new Terraforming cohort. June 14, 2021 @14:00 CET / 15:00 Moscow. Closed Session.
A conversation around my commissioned research paper (a long one!) “The Valuation of Necessity,” for 221a’s Blockchains & Cultural Padlocks Research Report. With Maral Sotoudehnia, Rosemary Heather, and Wassim Alsindi. 4. June 2021 @19:00 CET – online. Registration here.
Excerpt published from forthcoming, long-form essay “The Valuation of Necessity” to be released in full in June 2021. Link.
Full publication available for download here. Considering the premise that a technical object is an “artifact used to make other... More
The turbulence of orientation that arrives with the end of a world (where given axioms no longer provide referential certainty),... More
Epistemic accounts of the historical-discursive givenness of the now total, planetary monohumanist reality cannot eclipse the necessity to struggle for... More
(…) To describe something as ‘toxic’, in both biological and sociological senses, is to evoke something that produces harm. Although... More
The non-conformance of human experience with conditions of the current world capture a turbulent incompatibility of our moment: the condition... More
Die Frage, was es bedeutet, ein Mensch zu sein, was Menschlichkeit heute bedeutet, stellt sich wieder als Folge des Anthropozäns... More
The punny call to ‘seize the memes of production’ (a meme in its own right) would entail a gargantuan, though... More
It is not enough to rearrange the furniture in this current historical discursive home; freedom from this given domestic situation... More
Essai traduit de l’anglais par Noémie Grunenwald Notre monde est pris de vertige. Dans nos vies quotidiennes, un entrelacs d’abstraction, de... More
There are those who champion, or who actively seek to amplify, the navigational turbulence produced by this decentered human position... More
A City Curating Reader: Public Art Munich 2018 Eds.: Joanna Warsza and Patricia Reed What is public in public art?... More
Making & Breaking is an online journal published by the Autonomy research chair of Avans University’s Centre of Applied Research for... More
Sat, Dec 2, 2017, 3pm at Haus der Kulturen der Welt, Berlin In the frame of Technosphere (2015-19) at Haus... More
For The Future of Demonstration: Vermoegen, a performance and broadcast event on 2 Nov. 2017 in Vienna (Reaktor Studio) –... More
Seminar and Public Forum co-organised with Antonia Majaca and Mohamad Salemy. Seminar on July 16. 2015 (10:00-21:00) at the University... More
Online Class co-taught with Diann Bauer with The New Centre for Research and Practice, May 25-June23, 2015. GUEST(S): Amanda Beech,... More
2013 Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and...
2011 Designed for The Labour Of The Multitude? The Political Economy Of Social Creativity Conference at the Warsaw Free/Slow University A poster announces a series of questions, making present the position of listening and inquiry as an invited member of the audience. Engagements to these questions shall proceed through a polyphonous text (forthcoming), based on the series of speeches and debates that play out in the conference, documenting the position of active listening / apprehension, without speaking.
2009 Edition of 250 custom gold-plated pins, Contract (3 X A4 white frames) In response to a invitation for an exhibition dedicated to collectors where no financial exchange was possible, a contract was created (a modified version of Seth Siegelaubs' 1971 contract "The artist's reserved rights transfer and sale agreement"), wherein all financial exchange agreements were replaced with those pertaining to pure belief in the current and future works of the artist. An edition of 250 gold-plated pins were created as a take-away item for potential 'collectors', denoting their virtual agreement with the terms of the contract. The work directly addresses the currency of the artist-personality which is implied in any sale of work, but is never explicitly drawn up within the legal framework.